Netflix is moving forward with a sequel to its hit animated film KPop Demon Hunters, bringing back directors Maggie Kang and Chris Appelhans to continue the story. Sony Pictures Animation will once again produce the project.
The sequel will also mark the first project under a new exclusive multi-year writing and directing deal Kang and Appelhans have signed with Netflix focused on animation.
Released through Netflix in partnership with Sony Pictures Animation, KPop Demon Hunters became a major global success. The animated film follows fictional K-pop group HUNTR/X, whose music secretly serves as a weapon to prevent demons from invading the world. Blending supernatural action, music, and animation, the film connected with audiences across languages and cultures.
The movie has amassed more than 325 million views, making it the most-watched film in Netflix history. Its popularity extended beyond streaming, spawning multiple songs that gained traction and building a strong international fanbase.
The announcement arrives as the film continues to generate awards attention, including recognition for its original song “Golden,” performed by EJAE, Audrey Nuna, and Rei Ami. The song is expected to be featured during the upcoming Academy Awards ceremony.
Kang, who co-directed the film, has previously noted the importance of seeing audiences respond to a story rooted in Korean characters and culture. She has also hinted that the creative team has more ideas to explore within the world of HUNTR/X.
Appelhans, who co-wrote and directed the original film alongside Kang, has emphasized that the characters and universe created in the first movie still have room to grow as the story continues.
Sony Pictures Animation leaders Kristine Belson and Damien de Froberville have also expressed support for expanding the film’s creative vision, noting that the studio prioritizes championing distinctive filmmakers and original storytelling.
Despite its success on Netflix, the film sparked some industry debate over whether Sony should have pursued a theatrical release instead of releasing the film through its streaming partnership with the platform. Supporters of the strategy argued that the movie’s audience grew steadily over time, something that may have been harder to achieve during a traditional theatrical run.
For now, the sequel remains in the early stages of development. Kang and Appelhans are expected to turn their full attention to the project following awards season.
No release date has been announced.