Alayah Coleman’s Indie Romantic Comedy Dear Oscar Begins Filming in Leimert Park

Dear Oscar, a new independent romantic comedy from writer-director Alayah Coleman, began principal photography in Los Angeles on October 8. The film is produced by 92 Watts Productions and Hot Camp Productions, with Coleman also serving as executive producer alongside Quadeem Hall.

The story follows Lauren, played by Taylor Betton, a creator who returns to Los Angeles after a breakup and professional collapse in Atlanta, facing repeated rejection as a Black woman trying to break into the industry. Her connection with Jackson, played by Linton “Tae” McAllister, becomes the catalyst for a script that eventually earns her an Oscar nomination. The film’s structure centers on an unconventional narrative device: a hypothetical Academy Award acceptance speech, framed as a direct address to the Oscar statue itself, used to anchor the story’s emotional arc.

The production’s approach to community partnership is central to how the film was made, not just what it depicts. Shot entirely on location in Los Angeles, the production partnered directly with the historic Leimert Park community, incorporated wardrobe pieces donated by grassroots LA fashion brands, and built its soundtrack through direct collaborations with Los Angeles-based musicians and producers. That level of local integration reflects a broader pattern among independent filmmakers working outside major studio budgets: building a production’s creative and material resources directly from the community a story is rooted in, rather than treating location as a backdrop alone.

The cast also includes a guest appearance from R&B singer Drea Dominique. Following the completion of filming, the team plans to pursue a festival strategy targeting the American Black Film Festival, the Essence Film Festival, the Compton Film Festival, and the Martha’s Vineyard African American Film Festival.

With production now underway and a festival circuit strategy already mapped out, the next marker to watch will be whether Dear Oscar‘s festival reception matches the ambition of the industry statement its own framing device is built to make.

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