Mike Flanagan’s ‘The Fall of the House of Usher’ Triumphs as Modern Gothic Splendor [REVIEW]

The Fall of the House of Usher REVIEW

Edgar Allan Poe is one of history’s most distinguished gothic horror writers. Though celebrated in modern times, he often struggled with recognition and financial rewards during his lifetime, frequently living on the brink of poverty. In 1839, he authored one of his most iconic tales, “The Fall of the House of Usher.” Now, drawing from the rich but concise foundation of Poe’s narrative, Mike Flanagan has masterfully expanded it into a comprehensive and immersive work.

“The Fall of the House of Usher” debuted on Netflix on October 12, 2023. It is a project that has created quite a buzz since its announcement by Netflix and Flanagan in 2021. And with Mike Flanagan’s impressive track record, including hits like “Haunting of Hill House,” “Haunting of Bly Manor,” “Midnight Mass,” and “Doctor Sleep,” expectations were sky-high. Many wondered how he would adapt a concise tale into a layered and comprehensive series. Let’s delve into his execution.

“The Fall of the House of Usher” spans eight episodes, drawing from Poe’s iconic work and blending elements from his broader collection, including “The Tell-Tale Heart,” “The Raven,” “Murders in the Rue Morgue,” and “The Pit and the Pendulum,” among others. Though set in a time distinctly different from Poe’s original setting, Flanagan’s meticulous craftsmanship demonstrates that the timeless essence of Poe’s tales knows no limits.

At the heart of the tale is Roderick Usher. Together with his sister, Madeline, they are central figures in this narrative, encapsulating themes of family decay and inherited curses. Intertwined within these chilling truths are both beckoned and unexpected monsters. It is a haunting narrative that dives into the lingering consequences of sins committed by commission and omission.

The narrative unfolds with a profound enigma, leading viewers to explore the darkness that envelops the Usher lineage. Propelling the story is the unexpected and mysterious demise of the Usher heirs. But this tale is kickstarted by a daring detective intent on dismantling the remnants of the Usher dynasty. We watch as he confronts the family’s patriarch, seeking Roderick’s confession to bring down his evil reign. But as the plot unravels, we’re drawn into a realm of monsters and horror. Viewers grow to understand that Roderick’s intent isn’t just to offer a straightforward confession. He desires to expose hidden truths, seeking redemption and acknowledgment of the malevolent forces consuming him and his kin.

“The Fall of the House of Usher” shines brilliantly in many aspects. This is expected of a story with good bones. Its foundation is rooted in the grandeur of classic gothic literature. Flanagan, known for his adeptness in adaptations, approaches this tale with remarkable skill. He masterfully integrates contemporary elements to resonate with today’s audience while preserving Poe’s signature dark undertones. The blend of these components is flawless, highlighting Flanagan’s meticulous attention to detail.
Furthermore, the series boasts stellar casting. Flanagan, often collaborating with familiar faces, possesses a distinct knack for eliciting profound performances. This is a testament not just to his direction but also to the inherent talent of the actors.

The talented ensemble consists of Bruce Greenwood taking on Roderick Usher, while Mary McDonnell takes over the role of his ruthless sibling, Madeline. The Usher brood is portrayed by Henry Thomas (Fredrick Usher), Kate Siegel (Camille L’Espanaye), Rahul Kohli (Napoleon Leo Usher), Sauriyan Sapkota (Prospero “Perry” Usher), Samantha Sloyan (Tamerlane Usher), and T’Nia Miller (Victorine LaFoucde). Carl Lumbly astounds as C. Auguste Dupin. Mark Hamill embodies the persona of Arthur Pym.

Remarkably, the stellar casting and impeccable framing are merely a few highlights. The craftsmanship showcased in the project is also genuinely noteworthy. The meticulous attention to making the grotesque come alive authentically deserves commendation. Additionally, the narrative flow also bears mentioning. The narrative maintains a consistent rhythm, transitioning smoothly across different time frames—a trait not all films manage, often resulting in jarring or disjointed scenes. Nevertheless, this series avoids such pitfalls. In fact, upon closer examination, this project emerges as an artfully curated anthology seamlessly woven into a coherent masterpiece.

Every narrative comes with its flaws. In this instance, the shortcomings aren’t necessarily glaring. While analyzing a film, it’s essential to recognize potential biases and perceived weaknesses. One could argue that the abundant symbolism in “The Fall of the House of Usher” is either its strength or its pitfall. The story is laden with allegories and ethical undertones, pushing it towards sophisticated horror. Unfortunately, such cerebral horror may not resonate with everyone.
Furthermore, its poetic inclinations might be excessive to those who prefer their horror to be more direct and unadulterated. Yet, this depth and intricacy are quintessential of Edgar Allen Poe. Invariably, neglecting these elements in adapting his work would fail to do justice to the original’s spirit.

This movie is essential viewing. “The Fall of the House of Usher” presents a chilling delight brimming with suspense, engaging mysteries, and supernatural elements. While it serves up its fair share of gory delights, it also delves deep into philosophical ponderings, echoing Poe’s essence in its nuanced allusions. What is always the most lovely is divergence. “The Fall of the House of Usher” stands out in a sea of offerings where everything mirrors. And that is refreshing.

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