Let’s be real: at this point, we’re watching Euphoria out of loyalty — and the show knows it.
I decided to take a “best 2 out of 3” approach to the last three episodes to figure out what this season is really giving. By now, after years of delays, behind-the-scenes disputes, and an audience that waited patiently, the show should have found its footing. Instead, it’s become clear that Season 3 has lost the identity that made Euphoria what it was.
From the very first episode, something felt off. Not even off in a “slow burn, trust the process” way. It didn’t feel like a new season — it felt like a reboot nobody asked for. What used to be our teen drama with a distinct aesthetic, emotional depth, and layered storytelling now feels darker, grittier, and honestly… random. This doesn’t feel like Euphoria. It feels like a completely different show trying to use its name.
Euphoria has always been dark, but it used to balance those moments with real emotional weight. Now it’s leaning into extremes without grounding them in character development. Instead of pulling us deeper into the characters, it pushes us into chaos that doesn’t feel earned — and more importantly, doesn’t feel explained.
The most recent episode — the wedding episode — is the clearest example of that shift. This was one of the most anticipated episodes of the season. Nate (Jacob Elordi) marrying Cassie (Sydney Sweeney)? The tension, the history, the messiness of it all? There was so much potential. And somehow, they fumbled it. Bad.
The episode was more focused on looks than story. Nate’s vows felt hollow. Cassie’s arc, which should have been a breaking point, was glossed over in favor of aesthetics. Yes, the styling ate — Cartier, Bottega, all of it was intentional. But what’s the point of a big budget if the writing can’t match?
And that’s the bigger issue. The show looks good, but it’s not saying anything. How do you have all these resources and still not give the fans what they actually want? We are truly losing the plot.
The best part of the episode, surprisingly, was the moment between Jules (Hunter Schafer) and Nate — at his own wedding. That scene actually felt like Euphoria. It had tension, it had history, it had something to say.
More of that, please.
What made Euphoria stand out was its balance. Even at its darkest, there was still a sense of innocence tied to the characters being in high school — and more importantly, being forced to be around each other every day. That constant proximity created the tension. They couldn’t escape each other, which made every interaction feel more real, more messy, more emotionally charged.
The five-year time jump erased that. The connections feel more distant, and the storylines lean into extreme, hyper-specific situations without the emotional grounding that used to hold everything together.
Before, the shock came with substance. Now it’s shock with no payoff.
And I would be remiss if I didn’t mention how they’re handling Angus Cloud’s passing. This was always going to be the hardest thing the show had to do this season — and they had time to get it right. Instead, we’re told Fezco is in prison for 30 years, and Lexi (Maude Apatow) barely reacts. No pause. No grief. No acknowledgment of what that relationship meant. For a character who was central to Season 2 and a love story fans were genuinely invested in, the dismissal feels careless. It’s a missed opportunity to honor both the character and the actor the show lost.
To be fair, not everything is gone.
The cinematography is still strong. Visually, the show continues to deliver. The acting isn’t the problem either — Rue (Zendaya) is still showing up and doing what needs to be done, even if her character feels noticeably different this season.
The talent is there. The execution is what’s lacking.
Final Verdict: 1 Out of 3
If you’re watching for nostalgia, for the culture, for the Twitter conversations — go ahead. But if you’re asking whether it’s actually worth it? Watch at your own risk and prepare to be irritated.
Because the Euphoria we once knew and loved is now gone.
But clearly, loyalty is a powerful thing — so I’ll still be tuned in next Sunday.